This incredible console offers more bang for the
buck than any other console you'll find.
EQ and dynamics on every channel. 72 inputs, with
built in effects. Analog and
digital ins and outs. Great condition. Everything
works.
Comes with the cpu (the rack mount power supply
and cpu), mouse, footswitch for talkback, connecting
cables (power, big daddy and data cables), and a
CRT video monitor. Here's a video demo I made on
February 28, 2008, just before I packed it up:
Third-party plug-ins via the Mackie UFX card
Enhanced dynamics
Input keying and EQ filter
Soft knee compression toggle
Linear and exponentional option
48-channel overview screen
200 levels of undo
- 24-bit Alt I/O
- Advanced Mix Editor features including
- New view-sizing arrows
- Auto-loop SMPTE time code boxes
- Contextual right mouse click for track parameters
and time bars
Event
Automation Track
Enhanced Surround Sound mixing environment with
- Depth of Center Control
- Surround LFE Gain Control for each channel
- Surround-corrected bus/track assignment
Surround
Front-to-Rear Pan Control via control surface or
MIDI
Surround GUI update - new 72-channel overview
Triumphant Return of the Desktop - drag and drop
file management between File windows
Enhanced, flexible MIDI I/O mapping for all channel
strip and master parameters
Assignable MIDI commands on transport (REW, FF,
STOP, PLAY, REC) and on the D8B master control
section
Insert and patch point feature on channels - source
either plug-ins, 8 aux sends, 8 buses or 72 channels
(pre-DSP only)
24-bit plug-in inserts across Main L/R buses
Time offset (delay) on each channels 1-48 with 255
samples
Cross-Patching assigns channel strip in various
orders
Non-destructive Ungrouping
Optional fader control of level to tape - direct
out signal follows the source fader channel
Multiple direct outs per channel
Snapshot Library
Paste Repeat for automation level looping and building
rock-solid grooves
Pre/Post assignment of each aux send on each channel
Improved BBT resolution and clocking accuracy
Virtual group control extended to buses and MIDI
faders
Omnirax
Coda D8 $300
Pictured with the Mackie d8b
The
CODA D8 is designed specifically to provide the perfect
ergonomic workstation for Mackie Designs' Digital
8-Bus mixer and associated peripherals.
* Mackie Digital 8-Bus fits comfortably on the desk
at just the right working height
* Reinforced angled monitor-bridge will hold near
fields and up to 2 computer monitors
* Fully adjustable sliding computer keyboard and mouse
shelf included
* 18 rack spaces for associated peripherals in double
bay below
* On heavy-duty casters for mobility and easy cabling
* Sound and sight lines optimized for comfortable
extended session
Height
Depth
Width
Weight
Total Rackspaces
38.5"
36.6"
71.4"
200 Lbs.
18
Specifications:
Desk
Surface Height
28"
Desk Surface Dimensions
28.9"D x 39"W
Desk
Space In Front Of Bridge
20.5"
Clearance Below
Bridge
9.6"
Nearfield Monitor
Height
38.5"
Video Monitor Shelf
Width
71.38"
Computer Keyboard
Shelf
Included
105 lbs
List Price:
$1,120.00 Street price about $799!
(6) Leko ellipsoidal 500 Watt light fixtures
(24) Par 64 cans with 500 Watt Medium Flood
Lamps $30 each Each can comes with a gel frame, a C-clamp,
a safety and a power cable
Par 56 500 Watt cans
Teatronics
Marathon 2400 lighting dimmer pack with controller
$600 6 channels, 2400 Watts
each. This dimmer pack can accomodate 24 500Watt cans
Furman PL-8 power conditioner 5 lbs. 19"X 8" X1.75"
Otari
MX-5050 B II
The MX5050 BIII has long been the standard in 1/4"
two-track analog recorders. It features an optimized
three-head design and transformerless balanced inputs
and outputs to provide superior frequency response,
low distortion and high signal-to-noise performance
under the most demanding conditions. Record setup
adjustments can be made from the front panel, and
a convenient built-in oscillator provides test tones
for calibration/maintenance.
Features
The direct drive capstan motor is servo-controlled,
and an integral microprocessor governs tape handling,
including dynamic braking, motion sensing and transport
logic. A built-in mini-autolocator provides three
one-touch cue-point memories, search zero, and a
repeat function. The tape timer display shows tape
time in Hrs/Min/Sec., as well as tape speed in inches
per second and percentage of tape speed. Capstan
speed can be varied by +/-20% in 0.01% steps using
the built-in "pitch" control. Timecode
editing using a synchronizer is accomplished via
the 37-pin Otari standard parallel interface.
The extremely rugged mechanical construction includes
a 1/4" deckplate with cast aluminum side panels
and steel support members. All circuit boards are
designed to swing out or unplug for quick service
access.
* Positive-action transport controls
* Balanced transformerless XLR I/Os
* DC capstan, Quartz PLL servo-controlled
* Built-in mini-autolocator
* Built-in test oscillator and external oscillator
input
* Variable pitch control (+/-20%)
* Front panel record setup adjustments
* 1/4" deck plate with cast aluminumside panels
and steel support members
The SV-3800 Pro-DAT recorder/player incorporates
techological refinements for enhanced sound quality
and functionality. It features 20-bit resolution
DACs, together with a 1-bit, 64X oversampling A-D
converter.
Features:
• Front panel shuttle wheel
• 0.5?15X speed range
• IR remote control
• 4-stage, 1-bit Delta-Sigma A-to-D converters
• 20-bit equivalent D-to-A converters
• Program, absolute and time-remaining displays
• Pushbutton selection of 44.1kHz/48kHz sampling
rates via either analog or digital inputs
• Pushbutton fade-in and fade-out functions
• Balanced inputs and outputs via XL-type connector
with choice of -10dBu or +4dBm output levels
• Up to 400X fast forward/rewind and search
speeds to provide high-speed access to any point
on a 2-hour DAT tape within 27 seconds
• Single program and skip play feature is handy
for post-production work
• Automatically clocks to incoming frequencies
of 32kHz, 44.1kHz or 48kHz
Specifications:
• Tape Recording System : Rotary head type
DAT
• Parallel Remote : 8-pin DIN connector (50
functions available)
• Analog Input Connector : XLR-3 type
• Analog Input Impedance : 10k ohms, balanced
• Analog Output Connector : XLR-3 type
• Analog Output Impedance : 50 ohms, balanced
• Analog Matching Impedance : 8-600 ohms
• Digital AES/EBU Type Input : XLR-3 type,
110 ohms, balanced
• Digital AES/EBU Type Output : XLR-3 type,
110 ohms, balanced
• Digital IEC Type 11 Input : FICA phono type
(coaxial), 75 ohms & o'tical
• Digital IEC Type 11 Output : RCA phono type
(coaxial), 75 ohms & optical
• Cylinder Diameter : 30 mm
• Cylinder Rotation Speed : 2,000 RPM
• FF/Rewind Speed : Up to 250 times normal
playback speed
• Power Supply : 120VAC, 60Hz
• Analog Inputs/Level : +4dBu (-18dB rec level)
• Analog Outputs/Level : +4/-10dBu (-18dB)
• Depth : 31.5 cm
• Dynamic Range : More than 92 dB
• FF/REW Time : Approx. 35 sec for a 2-hour
DAT tape
• Frequency Response : [fs: 48kHz] 10Hz - 22,000Hz
(±0.5dB), [fs: 44.1 kHz] 10Hz - 20,000Hz
(±0.5dB)
• Headphone Connector : TRS phone jack
• Height : 12.2 cm
• Input Sample Frequencies : Recording: 48kHz/44.1kHz
(analog inputs); 48kHz/44.1kHz/32kHz (digital inputs);
Playback: 48kHz/44.1 kHz/32kHz (selected automatically)
• Maximum Output Level : 30mW + 30mW, 32 ohms
• Power Consumption : 30 Watts
• Quantization Bit Rates : 16-bit linear PCM
• Search Speed : Up to 250X normal playback
speed
• Signal-to-Noise Ratio : More than 92 dB
• Tape Speed : 8.150 mm/sec. (normal track)
12.225 mm/sec. (wide track)
• Total Harmonic Distortion : Less than 0.03%
(+4dBu, 1 kHz), Less than 0.007% (+22dBu, 1 kHz)
• Tracks/Channels : 2 (stereo)
• Weight : 5.9 kg
• Width : 43 cm
• Wow and Flutter : Unmeasurable
Videonics Edit Suite A/B Roll Edit Controller
Model AB-1 $200
Controls Four Play VCRs
Store up to 250 Scenes
RCTC, VITC, and LTC Time Code Support
Work with Sony LANC(Control-L) Panasonic 5-Pin
(Control-M) RS-232C, RS-422A VCRs
Jog/Shuttle for Precise VCR Control
SN-AB-025968
Edit Suite gives you the professional editing and
multiple VCR 'ontrol capabilities you need for an
incredible price. Compatible with both consumer
and broadcast-level VCRs, Edit Suite fits easily
into a wide range of applications, from weekend
videography to professional off-line editing. It
reads all major time codes and has a 250 event memory.
The computer interface allows you to download and
upload Edit Decision List (EDL) data for multiple
project management. You can also export industry
standard CMX files.
A/B ROLL
EDITING
Edit Suite controls up to four play VCRs and one
record VCR. When connected to the Videonics MX-1
Digital Video Mixer, it operates an A/B/C/D roll
editor. Edit Suite may also be operated with other
multiple source, GPI-compatible mixers. When used
without a mixer, Edit Suite functions as a cuts-only
random assemble editor.
EQUIPMENT
COMPATIBILITY
Edit Suite interfaces with Sony LANC (Control-L),
Panasonic 5-pin (Control-M), RS-232C, and RS422A
protocols. An IR wand controls record decks without
these capabilities. If you upgrade your equipment,
Edit Suite adapts. It supports advanced features
of professional VCRs.
BUILD COMPLEX
PRODUCTIONS
The Edit Suite EDL holds up to 250 scene events.
A simple cut-and-paste operation allows you to rearrange
scenes within the production at will. You can also
add or delete scenes at any time.
TIME CODES
Editing with time code increases the accuracy and
repeatability of your edits. Edit Suite reads several
major time code formats, including Rewritable Consumer
Time Code (RTC), Vertical Interval Time Code (VITC),
and Longitudinal Time Code (LTC).
JOG/SHUTTLE
WHEEL
The jog/shuttle wheel allows both precise and coarse
VCR control. The weighted center portion allows
frame-by-frame control. The outer portion provides
graduated speed positions between pause, two forward,
and two reverse detents.
PERIPHERAL
GPI SUPPORT
Edit Suite has two independently programmable General
Purpose Interface (GPI) triggers. The first may
be used for a mixer connection and second for any
other GPI-compatible device such as Videonics TitleMaker
2000 or a special effects generator (SEG). GPI events
may either be fixed or relative In/Out tape address
triggers and placed anywhere within and EDL.
DATA IMPORT/EXPORT
Edit Suite's computer interface allows you to export
EDL data files to your computer disk for storage.
If you want to work with a stored EDL, just import
it back into Edit Suite. This feature makes it easy
to work wit multiple projects and to maintain an
EDL data archive.
OFF-LINE
EDITING
With Edit Suite, you can spend the majority of your
post-production time refining your production without
the constraints imposed by expensive on-line suites.
Simply assemble your production off-line using Edit
Suite. Once the production is finished, a CMX-compatible
file may be exported to your computer and taken
to an on-line suite for final assembly.
ADVANCED
EDIT FUNCTIONS
Features like Preview and Review have previously
been found only in more expensive editors. Preview
allows you to audition edits before committing them
to tape, and Review automatically plays back the
last recorded edit for verification. When productions
call for special editing effects, Edit Suite is
ready. With properly equipped VCRs, Edit Suite supports
Insert edits (audio-only, video-only, or both) and
Split edits, where the audio is offset from the
video. In addition, Edit Suite does automatic match
frame edits when necessary.
EASY TO UNDERSTAND
EDIT DECISION LIST
Even with Edit Suite's high level of sophistication
and functionality, it maintains a user interface
which is simple and elegant. All EDL "events"
are stored in non-volatile memory and appear in
sequence on a backlit, 40-character LCD making them
easy to read under all lighting conditions. A streamline
key layout provides reduced operational complexity
compared to similar units.
Front Panel:
Power Key and Indicator
VCR / Source Selector keys
VCR / Source Indicators
40 Character backlit LCD
Color Source Selector key
Recorder Selector Key
Function / Numberic Keypad
Modifier keys
VCR Transport Keys
Auto Record Key (Manual or Automatic
Assembly)
Split / Insert key
Review / Preview Key
All Stop key (Halts Any Action In Progress)
GPI-M / GPI-T Keys (For Marketing Tigger
Events)
In / Out keys (For Marketing Tape Locations)
Jog / Shuttle Wheel
Rear Panel:
Record VCR Timecode Input
Play VCR Timecode inputs
Record VCR Control Port
Play VCR Control Ports
Play VCR Control Ports
Computer Interface (RS-232C)
GPI-M (1) and GPI-T (2) Ports
Infrared Wand (Record VCR Only)
Power Connection
SPECIFICATIONS>
Power Power Requirements: 12 VAC, 1.0A' 120 VAC,
60 Hz Adapter included in US/Canada. Other supplies
available in other areas. Power supply: UL/CSA approved . Non-US/Canada
versions meet local regulatory standards. Complies
with FCC Class B.
Computer Interface Connector: 1 x DB-9 RS-232 protocol
Misc. GPI Connectors: 2 x mini-jack, active-low
signal IR Wand Connector: 2"-15' usable distance
typical/50mm-4.6meters +/- 20 degrees
Physical Dimensions: 12 x 9.5 x 3.9" (300 x 241
x 99 mm) Weight: 4 lbs. (1.8 kg.) Ambient temperature: 32-104F (0-40C) Ambient humidity: Less than 90%
shipping dimensions
18" X 12" X 6"; 9 lbs
Videonics Titlemaker 2000 model TM2000 $200
The Video TitleMaker
2000 is a technological breakthrough in video character
generators.
It delivers high-resolution titles in over a million
colors with 92 font/size combinations and 36 styles.
It holds 8000 characters on hundreds of pages, with
lithium battery backup. Its full keyboard supports
special characters. TitleMaker 2000 has many advanced
features, including patterns, see-through video
effects, multi-direction scroll and crawl, fades
and wipes, and much more - yet it is very easy to
operate.
Its title quality is unmatched with sharp, smooth,
high-resolution characters that can be superimposed
on the incoming video or over a background. Backgrounds,
letters, outlines, and borders can use any of over
a million colors or a wide range of patterns, including
animated patterns. Shadows, outlines, and other
character enhancements can be added to letters.
Fades and wipes, as well as scroll and crawl, all
at eight speeds, can be used to add drama to titles
and the unit will hold over 8000 characters of titles.
A full character set includes accented and special
characters to support dozens of languages.
SPECIFICATION:
4" high x 12" wide
x 9.5" deep (100 mm x 300 mm x 240 mm) ; Weig't:
3 lbs. (1.4 kg) 110 VAC, 60 Hz supply included
shipping dimensions 18" X 12"
X 6" 5lbs
Fender 1275X floor monitor $150
Rugged, reliable and widely popular, the Artist
Series stage monitors area staple of sound systems
and rehearsal halls around the world. Each model
features 16 ohm design (ideal for stringing several
speakers together) daisy-chain inputs, volume control,
black carpet-covering, dual piezo horns coupled
with a wide angle horn, 15" main speaker, and
400 watt (peak)/200 watt (program) power handling.
Leviton-NSI
I/F 501 ¨
Model I/F 501
The little box that does it all! Convert across many
popular signals, including analog, DMX, NSI's Microplex
and Luma-Net. The Leviton Interface (I/F) 501 allows
communication between various protocols. In addition
to merging protocols, this interface device is capable
of converting computer protocols to lighting protocols.
Lumanet control configuration/software available (option
203). • Up to 512 Control Channel Addresses
• Configure Mode Select Switches •
4 Line Analog (0-10V DC) or Dry Contact Closure Input
Port • Bottom Chassis Key Holes Positioned
for Easy Wall Mounting • 15 V DC External
Power Supply Port • DMX512 Input/Output
Ports • NSI Micro-Plex Input/Output Ports
• RS-232 Input Port (DB-9 connector) •
NSI Luma-Net Architectural Lighting Port (RJ-14 style
connector) • NSI Luma-Net Software Interface
Capability • 8 Pre-Programmed Auto Sequence
Chases • Programmable Precision Auto-Cue
Playback
• Real Time ASCII Control Over Dimmers via RS-232
Crown CE2000 power amplifier $450
The Crown CE2000 Power Amp delivers the power you
want with plenty of headroom. 975W/ch @ 2 ohms, 660W
@ 4 ohms, 400W @ 8 ohms, 1,950W bridged mono @ 4 ohms,
1,320W @ 8 ohms. Sophisticated protection circuitry
(from shorted, open, or mismatched loads, input and
high frequency overloads), 5-way fault indicator,
red LED on each channel that turns on when distortion
becomes audible, green signal-present LED that flashes
when the level is extremely low (indicating cabling
problems), and detented level controls. Mode select
switch for stereo or bridged; 3-speed fan; and choice
of 1/4", XLR, and barrier strip jacks; all in
a rugged steel chassis designed to handle serious
road use. Mint condition. Front and rear panels are
clean.
Features:
Sophisticated protection circuitry and five-way fault
indicator
Red LED to indicate audible distortion
Green signal present LED
Detented level controls
Mode select switch for stereo or bridged
Three-speed fan
Speakon & banana outputs.
Bought it new, used for about 6 months at iMusicast
(www.imusicast.com).
Never toured.
Kawai K1 synthesizer $160
The K1 is one of Kawai's most economical digital synthesizers
in the K-series. The K1 has 256 digital samples of
waveforms, 50 of which are from acoustic instruments.
You combine up to four wave shapes to create very
new and unique sounds. The K1 is capable of very good
acoustic recreation, excellent unique synth sounds
or at times, completely noisy walls of complex sound.
a
pdf Read the manual here: http://www.vintagesynth.org/manuals/K1Synth.pdf
(3) Alesis adat XT-20 machines
(type II) and BRC 24 tracks
with controller
¨
